- Complete mac and drive for photographer 2017 upgrade#
- Complete mac and drive for photographer 2017 full#
- Complete mac and drive for photographer 2017 pro#
- Complete mac and drive for photographer 2017 software#
Note that while my current config that I’m testing has two Radeon II card, I’ve recommended only one Radeon Pro Vega II card in this configuration – which will allow you to add another one down the line or swap graphics cards.ĭebayering and scaling is very CPU intensive so the more cores the better… the GPU won’t really help you speed up RED footage so onto the “dream config” next… if you want to stay ahead of the game, instead of getting two Radeon Pro Vega IIs, I would suggest you consider getting a “Duo” card now and save a slot – it’s the same price as two cards and you keep a free slot. As far as photography, the configuration above loads my 150 Megapixel stills instantly and pretty much any still photography format. 8K is “just” on the edge at times w/ the config above. 5K / H.264 and pretty much anything I throw at it play back with adjustments with no buffering. This machines speeds thru all of the footage list mentioned above. Simple color corrections do not slow down the 8K playback.
But that has more to do with the type of adjustments that you add. It allows me to playback 8K footage in Final Cut Pro X as well as in DaVinci Resolve without any buffering which is a dream (but without adjustments.) Once I start to add layers and adjustments (especially GPU intensive ones like noise correction) that will make it tough to playback without rendering. The configuration above is very close to what I’ve been testing.ġ6 Cores is another sweet spot for most. It’s important to note that the Afterburner card will held to READ ProRes files – NOT TO ENCODE THEM (at all.) That’s purely personal – I shoot RED and ARRI and I don’t shoot ProRes RAW at this point in my workflow. You’ll also note I’m not adding an Afterburner card. So try this config and either add a second card down the line or get the newest card in a year.
Complete mac and drive for photographer 2017 software#
Currently Resolve and 3-4 pieces of software are using 53 GB as it exports 8K footage.įor graphics I would recommend you start with ONE Radeon Pro Vega II card – because the “infinity link” they have will allow you to seamlessly add a second one later down the line with zero loss of speed or functionality. I do see my system get up to close to 100GB when I’m running multiple apps at once though. In fact I doubt you’d ever need more than 96GB on any. No NLE (Final Cut Pro X, DaVinci Resolve, Adobe Premiere) that I’ve used will truly benefit in performance by having more than 48GB of RAM. The configuration I’d recommend for the vast majority of filmmakers is above.
Complete mac and drive for photographer 2017 full#
You only start to see a true advantage fo the Mac Pro with apps that take full advantage of the multiple-cores. The 18-core iMac Pro has tested almost identically to a 16-Core Mac Pro in my tests in Lightroom and Apple’s Photos app so far.
Complete mac and drive for photographer 2017 upgrade#
If I were looking more long term and wanted to UPGRADE AS I GO – the Mac Pro configuration above is only $300 more (minus a built in monitor of course.) It’s not available just yet though.Īlso note: the iMac Pro configuration below continues to be a dream machine for many. Please note that the Radeon Pro W5700X graphics card will also be an interesting alternative – especially for photographers. Remember – this machine is UPGRADABLE over time – things aren’t soldered in like in the past 😉 If you’re looking to save money you can of course get a 1TB SSD instead of the listed 2TB and I’d get the initial 32GB of RAM and look to 3rd party for more RAM down the line. Currently Adobe Photoshop and Lightroom cannot take advantage of more than 10 or so cores simultaneously – in fact a 10-core Mac is the sweet spot for photography.Īnything greater than 10 cores is going to be wasted with photography workflows to be perfectly honest. The configuration above is a fantastic solution for photographers. Final Cut Pro X & Davinci Resolve:Īdobe Lightroom and Apple’s Photos Software:įor now however, what I can do quickly is to share the configurations I’d recommend and WHY: Here’s what I’ve had the MacPro process thru, and I’ve compared that to the iMac Pro (fully loaded) the 16″ MacBook Pro fully loaded, and the 2017 13″ MacBook Pro. I’ll share those test results next week – I’m in the middle of two projects right now and I want to do it right. I would recommend you configure your Mac Pro to be optimized for your specific workflows as more information comes out. NOTE: these are MY opinion and not endorsed by Apple in any way. I’ve also had the benefit of speaking directly with people from Apple about the ideal configurations. I’ve had a chance to work with the Mac Pro for close to a month at this point and to test out Apple’s Final Cut Pro X, DaVinci Resolve, Adobe Photoshop and Adobe Lightroom Classic with the formats listed in the table below and I believe I can share some insights that will likely help photographers and filmmakers choose the most optimal configuration for them ( and save $$$)
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